Week 7, March 4
Each of us brings in one or two moments of a film score, discuss aspects of representation. What is the music representing, in your scene(s) of choice? How is it representing? Is it playing with or against stereotype? Those are some beginning questions; there is lots of literature on film music, but we have enough reading already, so I will leave it up to you if you'd like to dive into this (of course if you decide on film music for a final topic I'll expect a bibliography).
Other topics:
Week 10, April 1
Week 12, April 15
- Mithen, Fitch on evolution
- Music and neuroscience
- Infant-directed speech, pet-directed speech
- Ligeti, Kubrick & 2001: A Space Odyssey (and film music in general). Movie night either Wednesday or Thursday
- Hofstadter concluded
- Program music
- Hatten & topics
- Wagner & leitmotifs
- Presentations on program music & musical representation
Week 10, April 1
- The Sonification Handbook
- The Sonification Handbook, continued
Week 12, April 15
- Tom Johnson, Looking at Numbers
- Sonification & SuperCollider, other programs
- Sonification & Max
- Preparation for final presentation (or concert?)
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